
So anyway after a rather fruitless, if not utterly rancid, sojourn in the city of cotton and vile architecture I returned to my 'home' town a few months ago. It wasn't that long ago I previously lived here, but I put 'home' in inverted commas because it's a very different place to what I remember. The streets and bus routes remain the same, but it's acquired the texture of an elaborate dream or parallel dimension; where there's something not quite familiar about that block, face or social ecology. I've sometimes found myself with the urge to walk behind the city's landmarks, to check they're not just giant facades painted onto billboards. But this isn't the best time to ask latent psychosis to come out and play. I'm ill at ease enough as it is. A series of social shifts, policies and deals came together to 'make strange' a city I once knew like the back of my hand. Things remain nominally the 'same' but with peculiar kinks, reversals and detours deviating from what I took for granted as its shape. Not so much upside down, as wonky in a unnerving direction. I won't name the place, but an alias may be useful here: Bizarro Town.
Anyone in the UK, and in many other places in the world, would recognize the accent of Bizarro Town. The strange thing is, when I frequent the city centre, I don't recognize the accent anymore. Received pronunciation dominates the bars, cafes, restaurants and cinemas. All consonants are respected wherever I go. The vague discomfort I used to feel at arts 'events' I now feel everywhere. If there's working class people about (apart from security guards in every non-residential doorway) they're being uncharacteristically quiet about it. Gone are the huge numbers of local or 'accented' students from elsewhere (this town used to be very quiet during summer - now it's summer all year, if you know what I mean). Students that remain (in drastically reduced numbers) have more disposable income and the wardrobe to prove it. It's not just the accents making themselves scarce. Friday and Saturday nights are awash with seas of grey and bald heads. Pounding music, that not-so-subtle incentive to drink faster, is rarely heard in Bizarro Town's mumbling nightlife. There's no longer any need to hopscotch around vomit on Sunday mornings. That was back when the kids were having fun. Now the kids aren't having so much fun, it's become difficult to distinguish one evening from another.
I'm only slightly exaggerating, but I'm still trying to get a handle on Bizarro Town's general form. I also can't shake the feeling that the city itself successfully aimed for a general form, at the (very conscious) expense of 'undesirable' particularities. Liminal entities have largely vanished from public view, and with that what I took to be the 'character' of the city. The police have had their load lightened with the great sweep of cuts, incarcerations, sackings and closures. The homeless don't appear to beg as much, but it's unlikely that's because they're doing well under this government. Perhaps due to the committed efforts of ATOS, even the visibly disabled can be seen selling Tory shitrag The Big Issue outside a Tesco on every corner. Sure, there's activists peppered around - lumpen but well-educated elements, huddled together in tiny zones of imagined autonomy - but their concerns are so localized and petit that their bearing on the city as a whole is minimal.* And again, that scene is rapidly getting as grey and/or received in its pronunciation as the nightlife. They mean well, but at this stage whatever meaning they seek is largely relevant to themselves. There are limits to that internal conversation and limits to who can join in. Nice book club you got there, but the more abrasive edges of the city have been sandpapered away. In a city once notorious for its levels of industrial militancy, leading unions betray their leaflets by working for reconciliation and harmony. I suppose it could be worse - they could be the Labour council.
I should qualify the snark by disclosing my (current non-)involvement with the above. The hand fingerful of you who know what I look and smell like may be aware of personal issues I've had with Bizarro Town's enclosed circle of activists (and take it from me, the personal was the issue that kept most of them motivated). I also have political issues with their clearly-marked distance from that increasingly invisible element known as the working class. That great mass of people once known, indeed reviled, for making a lot of noise in this town. Priced out of leisure, precarious beyond sustained organization, whitewashed from the city's PR image, expelled from lucrative property, or packed away in those (increasingly rare) storage containers known as social housing: The proletariat has pretty much been silenced. A half-arsed, aimless handful of 'Occupy' tents came and went within days. Marches are dominated by those nearing, or surpassing, retirement age. Like several cities last year, Bizarro Town participated in 'riots'; but eyewitness accounts vis-a-vis police reports left me rather suspicious about how minor disorder was orchestrated into something worthy of national media attention. Let's just say it was the tidiest riot I've ever heard about. For all their 'anti-cuts' bluster, the local Labour party continues to satisfy its main agendas: Keep the police sweet and rebrand local 'heritage' into the property developers' eyesore of choice.
Living here during the Blair years, it's clear I wasn't really paying attention to certain developments (give Tony some credit - he turned us all into war nerds), despite my semi-reluctant role in them. The city as we understood it was being deliberately wiped away in a sense, and once I was paid to move that process along. Working for Blairite 'initiatives', under job titles that no longer exist (believe me, I've checked), it's apparent how I helped erect the new walls of Bizarro Town. "Market Stalinism" was indeed the order of the day when it came to public sector work. Public/private 'partnerships' that sought to quantify, modify, classify, and extract value from the "socially excluded" (remember them?) were a Foucauldian nightmare; mainly assisting several levels of auditor. That many who enforced this nightmare were once active lefties of various labels may or may not be relevant. Either way, the 'community' gained no 'cohesion' from it. Instead, they/we were further atomized into productive units for the benefit of targets, organizations or 'projects'. Following the Great Quango Cull, much of this has either been erased, or survives as a cynical source of management fees; squandering the time of that growing reserve army of volunteers, interns and 'apprentices'. More established institutions peek nervously at that dangling sword privatization, and worry when the axe will fall on their livelihoods. The private side of the 'partnership' continues to thrive. Tories are less sanctimonious offering opportunities for plunder. The "socially excluded" are scattered to the winds with ever more gusto, and now I'm just another piece of confetti. I always was really. Looking for work, I'm drawn towards the 'public' sector devil I know, which by now seems to only pay for two roles: Fundraising or marketing. But then 90% of all current vacancies appear to be for salesmen of one kind or other. Unfortunately, I may be the worst salesman in all of Bizarro Town. My cynicism has hardly been of the profitable kind.
I'm aware I've lunged into navel-gazing here, but a ghost town tends to have that effect after a while. Bizarro Town has pacified its former incarnation into a slow, quiet shadow. Home-owning retirees, RP students, sub-quango cadres, the petit-autonome activist clique - they are of course not the main architects of this sorry state of affairs. I don't want to engage in substituting sub-sections of the population for the actual class enemy (a game for bloggers with better salesmanship than I). I doubt they're even anywhere close to the top 10%. But I know one thing - they're out there and I'm in here. Or rather, we are. Burrowed into precariously rented homes, needing increasingly mutilated services, awaiting mail that brings nothing but threats and bad news, painfully aware that social participation is as demanding of contacts, salesmanship and resources as much as livable employment, vaguely bewildered at a city that announces NOT FOR YOU from every corner: This is the Condition of the Working Class in Bizarro Town. Occasionally supermarkets, burger bars and pasty chains beckon for our devalued labour; if we can demonstrate the 'right attitude' (note: I can't). Failing that, providers of job-seeking 'services' extract their own value promising to train us in the 'right attitude' and mandatory salesmanship. Otherwise we can shut the fuck up, get off the streets, and watch TV shows informing us that we're scum. Or, as far as one's amour propre can allow, talk to faceless strangers on machines that mine and collect details of every careless utterance. This is how neoliberalism ends: Not with a bang, but whimpering, numbing Dystopian cliche. A design against life.
*I suspect they're riddled with (influential) undercover police. Their petty, feuding ineptitude can't be intended, surely?
20 comments:
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Bangalore Property Developers
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Keep up the amazing work!
Hi Wayne
Is Bizarro Town special do you think? and I mean that quite sincerely, is there something about that place that has made it susceptible to this? Or is it just the investments of the new labour years that occurred in lots of towns.
I think it was sluggish conforming to the post-Blair 'vision' (that word was used a lot round here once). So sluggish that all its trumpeted 'regeneration' didn't really come together until Blair had gone and the world economy tanked. Sadly, corporate, political, and police forces worked hard to stamp out any alternative to fantasy 'investment'.
Plus now its 'blanded out', it doesn't really offer anything to encourage people to move here anymore. It's just made the streets safer for the old and middle class. With what students now have to pay, they're a lot more picky about the quality of course and uni they attend.
I should add that communities and 'interzones' of people come together and exchange ideas etc. if there's actually freedom or space for that to occur. There used to be a lot of that - particularly when higher ed was cheaper/free and unemployment wasn't as 'morally' taboo as it is now.
'Regeneration' (with its private security, draconian licensing laws, housing privatization etc) enclosed all that, handing the 'life' of the city to corporations and property magnates (and of course gangsters looking for money-laundering channels). The drawbridge was in place for the crash and the Tory victory that followed.
So Cottonopolis didn't float your boat? What, even though BBC Breakfast has now moved there?
what are you looking for exactly?
JM -
I've never been to paradise, and I've never been to me.
AN -
'Media City' has a Dystopian sheen of its own. I don't have the architectural chops to describe why really, but it's in the housing arrangements for its workers, that 'city within a city' claustrophobia you can find anywhere nowadays, and that highly concentrated leisure complex the Lowry centre (a choice of name blissfully unaware of the ironies it suggests).
Yeah - one fucking weird place. I think Owen H does a pretty good job of conjuring its dystopian aspect. Apparently the BBC are promising guests they won't have to take public transport to Salford and brave the hoodies. Ballardian.
Heh - 'Ballardian' has become overused, but it's certainly applicable to 'New Salford'. It's layout and pathways appear to prevent any hoodies from frequenting the space. It's the only tram I took in GM where every single passenger was white.
And is it just me, or are all 'centres' dominated by footy-stadium floodlighting now? It makes public areas feel like stage sets for musicals, as though to say you're only allowed to remain there for the duration of performance.
So which town is this exactly, the Bizarro town?
http://wonderwall.msn.com/movies/novak-has-bipolar-disorder-1676776.story
No offence, but do you really think I'm gonna tell you, of all people???
Re: Novak - that's sad to hear. She was always a strangely 'awkward' actress, but that kind of worked in a lot of her roles (my favorite is 'Kiss Me Stupid', NOT the ridiculously overrated 'Vertigo'). 'Bad' acting can be appropriate for some films.
But she's living proof that the condition doesn't necessarily lead to being a diarrhetic, narcissistic, hateful, pretentious, right-wing bore (like you-know-who...).
I was going to publish a post saying ''Madeleine officially bipolar'' but decided to get my rocks off here instead. That will hurt her more.
I was actually suddenly wondering whether Novak chose the VERTIGO role because of the bipolar implications of it (and the film), or whether Hitchcock, who surely must have had a keen eye, noticed it and this is why he choose her over someone like Vera Miles (the initial choice), despite having little trust in her acting ability.
I think your careful protection of your real identity bespeaks a level of paranoia that is not realistic given that if they want to find you, they can do it easily without knowing the name of Bizarro town.
Anyhow, before you decided to be SNIDE I was going to say that the text was quite a nice read, even though it was something depressing and elegiac again.
With regards to Hitchcock, he probably realised the role needed someone who could convincingly drive a guy nuts as opposed to just pretty. But Novak always did seem kinda 'spaced-out', so was appropriate for a 'dreamlike' vibe. Like a lot of other Harry Cohn proteges, brutally carved into artificial personas, like Rita Hayworth, who also suffered mental health problems, after playing a series of 'dream images'; but unlike Ava Gardner, who was a tough enough cookie to survive and quit.
And it's not so much protecting myself (whatever) as other people's identities. Old-fashioned human respect. I am the 'anti-Madeline'!
Depressing and elegiac is the future of British culture, if it has any future at all - you heard it here first, Satyr. Thanks for the compliment.
I noticed all over the world they're having a Renaissance of pre-Raphaelite art (expo coming up at Tate), which revels in elegiac, and I am quite sure it was spurred on by MELANCHOLIA.
I really don't know what to think about the cultural pessimism. It seems as outmoded as cultural optimism. I was just laughing the other week, or month, when news came out that the EU would pay the dowry to Greece after all, how socialist websites all over the world screamed that a new Communist revolution was in the works in Greece. While the social democrats here kept laughing at their doomsday thinking.
This is not to defend the policy of the EU towards Greece, but I think it's also true that all good systems are a little bit totalitarian. The socialists don;t really have a system at the moment, and their ranting is literally just unproductive nostalgia.
MUST you bring up Melancholia yet again?
It's not so much cultural pessimism, so much as an 'elderly' and complacent tiredness (like Bizarro Town's nightlife!). Cultural production is so enclosed and/or 'elite' now, that reactionary brick wall was inevitable really. If its all being reproduced via the same schools and nepotistic networks, it's not going to go very far.
Loath as I am to agree on your points about European socialism, it does feel more 'virtual' than anything these days - especially with regards to what banks and governments are doing. The left had the ball thrown to them in a big way, and they just keep finding new ways to drop it. But that's just my bourgeois 'impressionism', as opposed to monolithic 'social theory'. I'm sure the retro-Leninists would violently disagree, but I'm beyond giving a shit.
Is Bizarro Town in fact London?
;)
"Everytown, U.K."
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